16 October 2010

Video of the Day: Rihanna - Only Girl (in the World)

I don't know why I'm a little embarrassed to admit that I genuinely like Rihanna. During her "Pon De Replay" days or whatever she wasn't my thing but lately with the prior release of her "Rated R" album and the recent songs on the radio from her upcoming album, I'm really appreciating her sound. And not just that, I like her strong, nearly masculine message of taking charge and questioning the prowess of her admirers. There's something kinky and exciting about her image and overall aura.

In her latest video for "Only Girl (in the World)", she takes a step back from the overtly graphic lyrics and moves into subtlety risque territory - the entire video is just her wearing midriff baring tops with neon colored balloons floating in a meadow. It's still risky but kind of beautiful and really interesting to watch. The images almost work against the music which adds a nice contrast. This is really just a dance song with some so-so lyrics but like Lady Gaga, when you add these massively colorful, memorable scenes to it, there's this new layer that makes the song that much better.

I had a friend who used to insist that music videos were pointless because music must be heard not seen. We would harass him, saying that everyone should just close their eyes at concerts then because what would the point of looking at the musicians be? You should just let the music flow through your ears. Of course, I understand his logic a little but it's music videos like these, that have that extra edge of surprise that make the art form very worthwhile. When I used to watch MTV Hits, the 24 hour music video channel, obsessively, I would always love when Rihanna's "Rude Boy" video came on. It was during the Chris Brown controversy and possibly for that reason or something unbeknownst to my own mind, I always felt like this was a rather melancholy song. There's this air of sadness or creepiness about it although it's truly sexy and different (maybe a little M.I.A. "Paper Planes" but in my opinion, even better). I think of Rihanna more as a performance artist than musician. Perhaps my friend is right and music videos aren't necessary for songs like "Wonderful Tonight" or "Rave On" because classic, GOOD songs stand alone but carefree, fun dance songs need the visuals to back themselves up and become greater than the sum of their parts.

Take a Ciara music video for instance. Her songs bore me to tears but whenever she's on the screen I can't stop watching. The way she moves is hypnotic and in turn I start feeling the song more. I'm not saying it's right to use cheap tricks like that to sell music but it just happens. If I'm enjoying a song on a soundtrack to a movie that I never realized I liked before in real life, chances are I'll appreciate it a lot more from now on - in part because of the context I now think of it in. Rihanna's songs have always been like that for me too. I like her so in turn I like her music. To me, she's charismatic, beautiful, and fascinating. Of course I've never taken the leap and actually listened to any of her songs outside of the singles because I'm not sure it's my style but nevertheless I value her work as something that's more than just cheesy dance music. She reminds me of Tina Turner.

Enjoy.



15 October 2010

Song to Love: John Mayer - Edge of Desire

I feel like I've been all John Mayer-ed out for years now but there's something about his songs that always makes me come back. I'll be thinking situations out in my head and randomly think of his lyrics without meaning to - a classic sign of a great songwriter. It's not necessarily that the words are so brilliant, it's rather the very raw, natural emotions in his simple lyrics that make them so relatable. Some of these lines are just phrases someone might say within a normal conversation. He nails the feeling because he doesn't mask it in metaphors, it's all out in the open.

This song particularly is one of my favorites from Battle Studies. It might sound a little silly but the power it has live is pretty amazing.

(Studio)


Edge of Desire lyrics by John Mayer

Young and full of running
Tell me where has that taken me?
Just a great figure eight or a tiny infinity?

Love is really nothing
But a dream that keeps waking me,
For all of my trying
We still end up dying, how can it be?

Don't say a word just come over and lie here with me,
'Cause I'm just about to set fire to everything I see,
I want you so bad, I'll go back on the things I believed,
There I just said it, I'm scared you'll forget about me.

So young and full of running, all the way to the edge of desire
Steady my breathing, silently screaming,
"I have to have you now"
Wired and I'm tired
Think I'll sleep in my clothes on the floor
Maybe this mattress will spin on its axis and find me on yours

Don't say a word just come over and lie here with me
'Cause I'm just about to set fire to everything I see
I want you so bad I'll go back on the things I believe
There I just said it, I'm scared you'll forget about me

Don't say a word just come over and lie here with me
'Cause I'm just about to set fire to everything I see
I want you so bad I'll go back on the things I believe
There I just said it, I'm scared you'll forget about me

(Live)

04 October 2010

Video of the Day: The National - Vanderlyle Crybaby Geeks (Live Unplugged)

My dear friend saw The National live last night at the Ryman Auditorium in Nashville, TN and while she said the entire show was incredible, she singled out an unplugged version of "Vanderlyle Crybaby Geeks" as one of the best parts. Seeing the entire crowd softly singing along really affected her  - "not even a microphone!" she text me.

Well I didn't understand it until I saw this video. Have you ever seen a band do something like this before? This song is already an emotional segment of the show at a regular concert but to see it done like this is overwhelming. Seeing the entire crowd singing back up is unbelievable. The lyrics to this song are particularly poignant and it's strange how the diversity of the crowd doesn't change the fact that we all have these thoughts. There is a genuine feeling that lives inside this song that just resonates with people - any one of these audience members could've written these lyrics because they are truly that universal. Like I said in the last post, many of The National's songs can easily become anthems for people in their own lives. The repetition of certain lyrics bring out the truth in them somehow. It's also strange to hear the last line, "I'll explain everything to the geeks", without Matt Berninger's classic shouting. It all works though.

This is so impressive and a perfect depiction of how interactive and perceptive The National are as a band.



Vanderlyle Crybaby Geeks Lyrics by The National

Leave your home
Change your name
Live alone
Eat your cake

Vanderlyle, crybaby, cry

Oh the waters are risin'
Still no surprisin' you
Vanderlyle, crybaby, cry
Man its all been forgivin'
Swans are a swimmin'
I'll explain everything to the geeks


All the very best of us
String ourselves up for love
All the very best of us
String ourselves up for love
All the very best of us
String ourselves up for love
All the very best of us
String ourselves up for love


Vanderlyle, crybaby, cry
Oh the waters are risin'
Still no surprisin' you
Vanderlyle, crybaby, cry
Man its all been forgivin'
Swans are a swimmin'
I'll explain everything to the geeks


Hangin' from chandeliers
Same small world
At your heels


All the very best of us
String ourselves up for love
All the very best of us
String ourselves up for love
All the very best of us
String ourselves up for love
All the very best of us
String ourselves up for love


Vanderlyle, crybaby, cry
Oh the waters are risin'
Still no surprisin' you
Vanderlyle, crybaby, cry
Man its all been forgivin'
Swans are a swimmin'

I'll explain everything to the geeks
I'll explain everything to the geeks

02 October 2010

The National, Wellmont Theatre - September 24, 2010


I don't know how many times I can say it: Matt Berninger is the greatest frontman in contemporary rock music.

After seeing The National six times this year I almost go to their shows hoping I won't like something so I'll have a shot at writing a different review. Of course, all I'm left with after the fact is a brilliant show that doesn't need my words slobbering all over it. There are only so many times I can start these reviews with "I can't express how much I love The National..." or "The National are the greatest band on earth..." Some people might get the impression I'm a little obsessed. I am.

Before I get into my usual gushing, I have to say that I've been to two concerts since I saw The National perform and although both were great in their own ways, I couldn't muster the excitement I thought was necessary to appreciate either fully. The National has ruined me for any other band. I go to a show knowing that the singer is not going to completely encompass the lyrics of the songs and I know they're not going to come into the audience and sing into people's faces half inebriated and half embarrassed. Maybe it's strange that I love Matt Berninger more than anyone in the world or maybe it's just that he is incapable of disappointing me - and everyone else in the audience.

And it's not just Berninger. Aaron and Bryce Dessner, Scott and Bryan Devendorf, and the occassional Padma Newsome make this band the greatest around. Their artistry and musicianship is unmatched by any I've seen.

Friday at the Wellmont was no exception. I've never been a fan of this venue but The National made it sound better than ever. Berninger came out drunker than usual with the requisite wine bottle and immediately went into "Runaway" which had been more of a closing number in their summer tour. While 50% of the show was dedicated to songs off High Violet, the other half managed to have a couple surprises, mostly in the form of "Daugthers of the Soho Riots" and "Available" which are songs I've seen this year but not recently.

It's always extraordinary to see a song start off calm and collected and end in a beautiful shambles. Songs like "Afraid of Everyone" and "England" begin in nearly a whisper with simple lyrics that set the scene and by song's end the anthemic lines begin in repetition with Berninger screaming at the top of his lungs and falling into microphone stands, Aaron and Bryce closing their eyes intently playing guitar all the while. There is no other band that could pull off a line like "Your voice is swallowing my soul" nearly ten times in one song and practically bring the crowd to tears. I clutch my heart every time I hear it.

After an exquisite performance of "Fake Empire" to close the set, the encore started with "Vanderlyle Crybaby Geeks", a song I had a difficult time appreciating since the new album came out. I think the title is corny and since it's near the end of the record, I just dismissed it more than I should have. Hearing it live gives it an entirely new life. The beginning lines "Leave your home, Change your name. Live alone, eat your cake" are basically just Berninger a cappela and it kills me every time. Hearing his deep voice trying to hit the high notes and faltering just enough to sound authentically painful is incredible. He makes himself so vulnerable on stage that I can't imagine the entire audience not falling in love with him by the end. He feels the lyrics with every fiber of his being - or at least makes it appear that way. His charisma is otherworldly.

In true National fashion, the show ended with Matt climbing on speakers and falling into the audience with his trademark, larger than life microphone cord trailing behind him. It's impossible to explain how it feels to watch him perform unless you're there to experience it. There are a lot of great musicians out there but it takes something a long the lines of magic to be the best.


The National Setlist - 9/24/10
Runaway
Anyone's Ghost
Mistaken For Strangers
Bloodbuzz Ohio
Slow Show
Squalor Victoria
Afraid of Everyone
Available
Conversation 16
Apartment Story
Sorrow
Abel
Daughters of the SoHo Riots
England
Fake Empire

Encore:
Vanderlyle Crybaby Geeks
Secret Meeting
Mr. November
Terrible Love







All photographs courtesy of me and my bozo camera.

30 September 2010

Video of the Day: William Fitzsimmons - "King of Wishful Thinking" Cover

Originally a song by Go West off the Pretty Woman soundtrack, William Fitzsimmons makes it sound contemporary and much sweeter.

Picture of the Day: The National (and Obama)

Pussycats, Pavement, and J. Lo

Today I woke up at 7am. It's a disgusting practice and I pray every time it happens that it will never occur again. I'm the worst morning person in the world. I look, sound, and act like Walter Matthau before 12pm and it's not pretty on me. The one thing that makes any morning better is my iPod.

A few days ago after one too many homemade margaritas, I decided to go on Limewire and illegally download "feel good" songs. In my head these would be hip, cool songs that I could listen to when I'm home having a couple drinks, partying with my cat. Needless to say things turned ugly fast and good taste (Pavement, The Kinks) turned bad (Jennifer Lopez, The Pussycat Dolls).

I don't know what it is in my brain that likes absurd music that I know is created by machines and auto-tune but I can't help myself. I'm overly empathetic towards a lot in my life and music is no exception. After watching Jennifer Lopez's Behind the Music where she chronicles her first traumatic recording sessions, I liked her music even more - despite the fact that she was openly admitting to having a bad voice. When Usher sings about infidelity and gets on his knees to hug faceless women's legs in music videos, I chalk it up to unique artistry, certainly not scumbag-level arrogance. When Snoop Dogg is featured in every video with girls dancing around in skimpy clothes (i.e. Katy Perry's "California Girls", Pussycat Dolls "Buttons"), I figure it's because he needs to make extra dough to support his adorable family I grew to love on "Snoop Dogg's Fatherhood", the spectacular E! Entertainment Nework reality show.

It all comes back to this morning. As I was standing outside in the pouring rain I decided to put my headphones on and listen to Ms. Lopez's classic song "All I Have" with LL Cool J. I won't deny my history with this song - I love music videos. When I was younger they were all I watched. This particular video was on all the time. As a youthful teenager I thought Jennifer Lopez was utterly beautiful: she wore Jimmy Choo boots, furry coats, had those curves.. so much to look at. Indirectly, I'm sorry to say, this video, and others like it, are probably in my subconscious for the rest of my life. Luckily I think I understand the ironic humor within the lyrics and don't plan on dating any guys that tell me they're "cats that creep all over town" (you know I'd prefer to play that role). I never realized until today in the rain how insanely sexist the lyrics are or how good this song is. I don't think it's really trying to teach anyone a lesson and of course which of these artists is truly synonymous with power? The answer is obvious so there's no reason to feel too bad for the plight of females within this context. Although it's important to point out that it's dangerous to listen to songs like this when you're young. I do believe that personal relationship insecurities can be stirred by false images in pop songs. If I have children I won't let them listen to Neil Sedaka until they're at least 17.

The thing that bothered me most is my relationship with songs like this. I always thought I had a healthy relationship with music, so much that I could openly relay any of my interests to anyone who wanted to know. Standing there in the rain, with my black glasses, skinny jeans, and wannabe Rastafarian, maroon hat, I quietly listened to Jennifer Lopez... any time someone would walk by I lowered the volume as if I thought they cared or would even hear it over the raindrops falling on cement. I was embarrassed. I should be listening to something different, not Jock Jams from 2002 or something. Who do I think I am? It brought back memories of sixth grade when my friend Danielle told me I had no right to appreciate Selena's music.

"But I really love her."

"Why because you saw the movie?"

"Yes but I swear I have at least one of her cd's in my room."

"Please. You don't understand her."

I don't know why I always remember that. Danielle was actually one of my best friends at the time so I know she wasn't deliberately hating on my musical preferences but she felt a particular kinship to Selena that apparently I wasn't allowed to feel. I can't even express to you how much I really did love that crazy movie. I've always been a total sucker for all things Jennifer Lopez. I'll watch that movie with her and Matthew McConaughey about the wedding stuff anytime it's on and I usually hate movies like that. She has some crazy charisma that I'm drawn to - or as a drugged up male friend of mine once said, I'm just drawn to the "exotic ladies".

And it really doesn't end there. I go from 12 year old in 2002 to 45 year old in the '80's. "King of Wishful Thinking"? "Danny's Song"? Kenny Loggins? TOTO?! What am I doing?

Does anyone remember Joe? The song "Stutter" has always been a personal favorite. I relate a little too much to the lyrics these days but when I was a kid I just thought he was a pretty good looking cat with a great voice.

I'm also in love with Pharrell but I'm not too embarrassed by that.

I think that's all I'm ready to admit.


I actually believe Nicole Scherzinger is an excellent role model for young girls. I'm always an advocate for women taking control of their own sexuality and not leaving it up for the debate of the opposite gender.

20 September 2010

Video of the Day: The National - You've Done it Again, Virginia

All week I'll be posting about The National in one respect or another leading up to the concert on Friday. This particular video is a couple years old but I never get tired of it. I have an addiction and I love it. In this moment, there's nothing I love more in fact.