Top 25 Best Albums of 2009

The year itself felt like it went by fast but somehow so much good music had time to be brought into the world over the past twelve months and I am so thankful for every sound. These are my top 25 albums of 2009. I had some difficulty getting past twenty at first and then some difficulty cutting it down to just twenty-five so it definitely went back and forth. I think the final list has a little something for everyone and while I'll probably regret leaving this one out or adding that one, I believe this is an honest account of my year with music. This is in correct order based on my appreciation of each album and the timelessness I believe them to have. A trendy album can make the list but that doesn't mean it won't have an expiration date at some point. For right now though, this is my 25 and I couldn't be happier that I had a chance to hear all of this music that contributed to the quality of my life.

01 John Mayer - Battle Studies

No surprise here. John Mayer came out with not only the best album of his career but the best album of the year last month. Battle Studies marks a change in direction for Mayer that sees him going from precocious youngster in the pit of a self-affirmed "quarter-life crisis" to a grown-up, not yet at the wake of a mid-life crisis but certainly watching for it at the top of the hill. In the midst of the endless, hard-to-escape speculation surrounding his personal life, Mayer has managed with this album to somehow turn the attention back to his music career, the reason we care about him in the first place. Songs like "Heartbreak Warfare", "Perfectly Lonely", "Assassin" and "Half of My Heart" fit perfectly into the John Mayer catalog while still allowing space for his sophisticated, adult contemporary sound to grow - this growth is due in huge part to percussionist and co-producer Steve Jordan (1/3 of the bluesier John Mayer Trio), who lends R&B feel and plenty of soulful, almost non-John Mayer beats to the record. If you put this side by side with Room For Squares, you're still aware it's the same person but even more aware that it's been a long decade between the two.

Best Tracks: Assassin, Heartbreak Warfare, Perfectly Lonely, Half of My Heart, War of My Life

02 Monsters of Folk - Monsters of Folk

When asked last month in Rolling Stone Magazine what he was currently listening to, Tom Petty said only one name first: Monsters of Folk. The supergroup, composed of Bright Eyes members Conor Oberst and Mike Mogis, My Morning Jacket frontman Jim James, and singer-songwriter M. Ward (also of She & Him), have outdone themselves with this debut album that blew my mind more than any other record this year or possibly even in the past half decade. Every song on this record has the potential of being an instant classic and I can't readily choose one as better than another. Mixing four dynamic personalities together who are actually able to play all their own instruments and do all their producing is impressive enough but the craftsmanship on this self-titled record really proves that the efforts put forth by all far exceeded any expectations. While it's easy to call them out as a modern day Traveling Wilburys, the main difference lies in the balance of songs: all three main singers get a few songs each to shine on and all create their own characters within. If you check out only one album off this list, let this be it.

Best Tracks: Dear God (Sincerely M.O.F.), Whole Lotta Losin', Man Named Truth, The Right Place

03 Phoenix - Wolfgang Amadeus Phoenix

While they may be the darling of everybody's end-of-year lists, Phoenix has actually been around for over a decade as a full band and officially released their debut album, United, in 2000 with the superb single "If I Ever Feel Better". Five albums later and we find them finally coming into mega success in the U.S. with Wolfgang Amadeus Phoenix, a nice, little sarcastic, poppy, indie monster that every girl with a pair of Converse and every boy with a pair of skinny jeans loves. I love them too. Maybe even your mom would love them if given a chance. This is a band that is sort of undenaible and overly infectious. Strangely, I feel they've been this way for awhile but something just started to click. With songs like "1901" (constantly playing on that car commercial) and "Lisztomania", an ode to composer Frank Liszt, the world finally took note and not a minute too soon. This is one of those strange addiction albums that you can't easily shake from your brain or your cd player. There are only two things that would make Phoenix's rise to success that much sweeter: a look back at their catalog of other phenomenal songs and some continuing excitement for their next project that I'm sure will be just as delicious.

Best Tracks: Countdown, Girlfriend, 1901, Lisztomania

04 Mayer Hawthorne - A Strange Arrangement

I am so excited to discuss Mayer Hawthorne for this next paragraph. I had a strange arrangement of my own with this album. Let me start from the beginning: I first heard of Hawthorne from John Mayer's Twitter page months ago where he declared that this was the greatest album of the year (all the way back in the summer I believe). From there it was on to Perez Hilton that immediately followed suit by saying anyone into throwback R&B would love Hawthorne's Amy Winehouse-esque sound and finally, after weeks of avoiding my first real listen, I had to check it out for myself. Usually over the top buzz makes me nervous to check out a new artist but in this case it couldn't have been more correct. As the iTunes review notes, Mayer Hawthorne is like a Raphael Saadiq that can't sing as well but can write better songs (some may remember that Saadiq's old school R&B album was my #1 choice for 2008). A Strange Arrangement is one of those albums that sneaks up on you when you're not looking - it is so perfect in its execution that you need a minute to question whether or not it's intentions are pure. Is this just a cheap rip-off of an album Marvin Gaye did way better 30 years ago or is it something entirely new that could start a revolution all its own? It took me a while to clear this up for myself and let me save you the hassle: This is definitely the latter. We live in a day and age where buying an entire album is a thing of the past and even as a true believer in new music, I typically can't get myself to spend more than $4 on a few songs off a new record - I bought this entire thing and didn't regret a penny. I'm totally in love with album and proud to have in my top five of 2009.

Best Tracks: Just Ain't Working Out, Maybe So, Maybe No, Your Easy Lovin' Ain't Pleasin' Nothin'

05 Passion Pit - Manners

Manners is another rarity on this list (and one of the last before we get to the end): it can be listened to from beginning to end without a clunker to be found. I'm fully aware that Passion Pit and their high-pitched, indie-rock, strange world of electronics and synth bass is not for everyone but once you get that initial taste in your ears and develop your tastebuds to their kooky world, I have a feeling it will be difficult to get enough. In many respects, their light hooks and kid-tested appeal are reminiscent of Phoenix but what Passion Pit brings to the table in terms of darker, edgier fare makes them a band of their own accord. Since their incredible EP "Chunk of Change" arrived in 2008, it was obvious that this was something that was going to catch on quick and with Manners, they have confirmed that in a big way.

Best Tracks: The Reeling, Sleepyhead, Little Secrets, Moth's Wings

06 M. Ward - Hold Time

For anyone that has even read Music Mavens casually, it may be obvious that I have a soft spot for M. Ward, one of the greatest singer/songwriters of this or any other generation. M. Ward has proven time and time again that he understands not only how to write about the turmoils of life but sing about them in a way that grips at the soul and makes a permanent nest there. Yes, that's dramatic but so are most of his songs. Strangely, Hold Time seems to start a venture into lighter tunes for the usually deeper Ward with a cover of Buddy Holly's "Rave On" and a guest appearance by She & Him bandmate Zooey Deschanel for the carefree "Never Had Nobody Like You". I am continuously in awe of what M. Ward is capable of doing in any fashion. If you don't already know him, stop reading and go find out.

Best Tracks: Jailbird, Never Had Nobody Like You, Rave On, Epistemology

07 Grizzly Bear - Veckatimest

This album is special to the list because it has the good fortune of containing the greatest song of the year and possibly one of the greatest I've ever heard. "Two Weeks", track two, on Grizzly Bear's third full length album, is so soaring and bittersweet that it became the reason I like this band. Over a year ago now I saw Grizzly Bear open for The National at a party for New York Magazine at Roseland Ballroom in NYC. The room was packed and the second they went onstage it was as if the "Talk" sign went up and more than half the people around me began their own conversations either about the poor quality of the band's performance or some other drunken dribble. I'm not saying there weren't tons of people there that probably loved them but I just didn't see any of them. All of their songs sounded the same and I was immensely disappointed. Fast forward to 2009 and this album comes out. I am blown away and willing to give them a second chance (as if they care what I think at all). Grizzly Bear is now one of my current favorite bands and that terrible concert memory is long behind us. Rarely does a song come along like "Two Weeks" that encompasses everything good and right with music. Thank you, Grizzly Bear. You made my autumn shine.

Best Tracks: Two Weeks, While You Wait For the Others, Southern Point

08 Andrew Bird - Noble Beast

A lot of times when an album comes out in January you're apt to forget about it by the time December rolls around and you're considering all the other great music that has come out since but Andrew Bird managed to make his album not only relevant throughout the entire year but continuously surprising. I don't know if I caught a repeat or if his appearance was oddly placed but just a couple months ago he was on Late Night with Jimmy Fallon singing "Anoanimal" in such a way that I couldn't get it out of my head ever since. Add that to the other songs I've been playing since the record came out and you get one of the top 10 albums of the year. Andrew Bird has to be one of the most experimental, versatile artists on this list and Noble Beast incorporates all the parts of him that are the most well-tuned. I feel like this album will be around for a while.

Best Tracks: Anoanimal, Tenuousness, Fitz and Dizzyspells

09 Them Crooked Vultures - Them Crooked Vultures

I don't think I'm experienced enough to discuss this album the way it rightfully deserves. All I can say is I was lucky enough to catch a deal on iTunes before the arrival of this album earlier this year when they were giving away "Mind Eraser, No Chaser" for free and it made my night. Them Crooked Vultures marks the second supergroup on this list composed of Dave Grohl (Foo Fighters, Nirvana), Josh Homme (Queens of the Stone Age), and Mr. John Paul Jones of Led Zeppelin. Grohl himself stated in a Rolling Stone interview that occasionally Jones will play something in concert that destroys him so much he has to stop and admit that he doesn't know how to follow it up. That is how crazy this band is. It is experimental rock that brings back the true edge and meaning of rock music all at once. To me it genuinely sounds like a combination of all the bands these members bring with them. It is so deeply rooted in the classic but still brings the biggest hope of the future.

Best Tracks: New Fang, Mind Eraser, No Chaser

10 Kid Cudi - Man on the Moon: The End of Day

When I first heard "Day 'n Nite" then saw the genius video that followed, it was difficult for me to believe that this guy didn't even have a debut album out yet. How could I get my hands on more material? In the meantime I did some research and it was not much of a surprise that he had helped write the two best tracks on Kanye West's 808's and Heartbreak ("Heartless" and "Paranoid"). Once his album was on the verge of coming out and I saw the video for "Make Her Say" for the first time where he generously gives Kanye and Common one verse each, I was hooked. I know he's been fodder for some "emo/rap" jokes (as in Rolling Stone: "rap is going emo and this is the fall out, boyee.") but he's a hell of a lot more than a passing fad.

Best Tracks: Day 'n Nite, Make Her Say

11 Yeah Yeah Yeahs - It's Blitz

As with a couple others on the list, it took me a long time to appreciate Karen O and company for the superb artists they are. As the first female in a collection of only three that made the list, it's obvious that Karen O has a gift that cannot be denied. Her voice is gorgeous and on this album in particular the entire band goes in a different direction with their sound that maybe is a little less hard but still completely independent of all other music stylings, if you know what I mean. They are not trying to be anything they're not. This album, the band's third, kind of scares me. There is nothing warm about it and it's been said that the production of it was quite unusual because throughout the several months it took to complete, the band would take short breaks from recording songs "to get inspired". It seems like all the extra time definitely paid off. This record is an unusual masterpiece.

Best Tracks: Zero, Heads Will Roll, Skeletons, Dull Life

12 Jay-Z - The Blueprint 3

The Blueprint 3 is Jay-Z's eleventh studio album and probably his sixth since his supposed retirement. Luckily for us he's a liar. This is the final installment of the critically acclaimed Blueprint triolgy that began in 2001. This particular record sold nearly 500,000 copies in its first week alone making it Jay-Z's eleventh consecutive number one album and breaking the record held by Elvis Presley for number one albums by a single artist. It is probably the most noteworthy, historic album on the entire list.

Best Tracks: Empire State of Mind, D.O.A., Run This Town

13 Bruce Springsteen - Working on a Dream

Another January album, this one by Mr. Bruce Springsteen is his 16th studio album and has already sold over 1.5 million copies worldwide this year alone. This album also turned me into a full-on believer in what Springsteen can do and holds another of the greatest songs of 2009: "The Wrestler". I might be a late-bloomer on the whole Springsteen bit, especially coming from New Jersey, but better late than never. While I wasn't a fan of his previous album "Magic", I found this one to be relatable on a lot more levels and felt like it really took me to a place a lot of other music doesn't have the ability to - whether I'm making too much out of one album has yet to be determined. I'm still nowhere near the diehard level of many other Springsteen fans and still can't grasp that "boss" title just yet... but I'm getting there.

Best Tracks: The Wrestler, Tomorrow Never Knows, Surprise, Surprise

14 The Dead Weather - Horehound

Jack White, one of the craziest workaholics I've ever heard of, has truly done it again. Whether it's The White Stripes, The Raconteurs, or The Dead Weather, White is out there making more music than most musicians do in an entire career and making most of it better than the others. It took me a long time to come around to this kind of crazy, throwback, experimental, blues/pop/rock sound that is none of that and all of that all at once but out of all of White's ventures thus far, The Dead Weather has been the easiest to swallow. The creativity of this band is outstanding - and if you're counting, the third supergroup to make it on the list (Alison Mosshart of The Kills, Dean Fertita of Queens of the Stone Age, and of course Jack White, the leader of the pack).

Best Tracks: I Cut Like a Buffalo, Hang You From the Heavens

15 Julian Casablancas - Phrazes for the Young

Although I'm putting this excellent album on the list and firmly believe that Julian Casablancas probably was the heart of The Strokes, I must say that this is only one in the long line of superb solo albums from various members of that band. This happens to be the one that came out this year and therefore, here it is, but if you love The Strokes as much as me and want to hear what the others have been up to you will check out Albert Hammond Jr.'s solo disc "Yours to Keep" and Fabrizio's band Little Joy's self-titled debut that are really unique and worth their own praise. Phrazes for the Young, an album that consists of only eight songs (unless you purchase the complete album on iTunes) is definitely unique and worthy of its own praise as well but if I'm being honest here, none of the songs live up to the genius single "11th Dimension" that I've had on repeat for the past month. Casablancas' voice is eternally enticing and exciting and his signature style is all over the place but in the end these tracks leave me wanting more Strokes and less EPs masquerading as full length albums.

Best Tracks: 11th Dimension

16 Michael Johns - Hold Back My Heart

Throughout the year I had high hopes that I would have to look at this list and be embarrassed that I had three American Idols on it: Kris Allen, Adam Lambert, and Michael Johns. Fortunately (or unfortunately depending how you look at it), two of those Idols failed to deliver on their promise of excellent music, and while Lambert is still the one that will come out on top in the end, it is Johns that successfully created an album that is listenable from start to finish. If you had the statistics on the table: Top 100 Billboard album in its first week, on the same label as Cold War Kids and Santigold, and touring across country on a semi-successful concert trek, I don't think Michael Johns would be the first guy to come to mind. Even if he gets dropped from the record label (or maybe already has as almost all American Idols are proned to do), he has a lot of accomplishments under his belt, the greatest of which being this old school soul record that truly lives up to its "Otis Redding/Marvin Gaye" promise. Although I loved him from the minute he stepped foot on that stage, I didn't truly believe he could pull it off. This is the proof. Support him and listen to this album - it could be his last.

Best Tracks: Little Bear, Mountains, Fire, Feeling Alright

17 Lady Gaga - The Fame Monster

Fun, weird, trippy, beautiful, underrated (for the singing), overrated (for the theatrics), crazy, wonderful, dancy, freaky, not-so-freaky, poppy, Top 40, silly, stupid, Madonna, not-Madonna, controversial, perfect, lovely, soft, hard, different, great, Lady Gaga.

Best Tracks: Bad Romance, Speechless, Telephone

18 Train - Save Me, San Francisco

I was obsessed with Train this year mostly because of the silly glory that was "Hey, Soul Sister", their first single off Save Me, San Francisco, the band's fifth album. This folk-rock band has consistently been full of surprises whether it's their long breaks away from the music industry after extremely successful albums or their strange lyrics ("Ain't that Mister Mister on the radio, stereo/the way you move ain't fair you know") that completely boggle my mind long after I've changed the station on the radio dial. I'm a little infatuated with this band and their frontman Pat Monahan that kind of looks like a possessed Muppet in every one of their music videos. I always like a band with a little personality and guts - this one has plenty (you may remember them primarily for their smash hit "Drops of Jupiter"?)

Best Tracks: Hey Soul Sister, Save Me, San Francisco

19 Pete Yorn - Back and Fourth

Produced by Mike Mogis (of Bright Eyes and Monsters of Folk), this is Yorn's fourth full-length release and the follow-up to the end of his "day" trilogy that was completed in 2006 with "Nightcrawler". Pete Yorn is the reason I love singer/songwriters as much as I do. My story of picking up his debut cd at The Wiz way back when has been told more times than the story of my own birth at this point. It was the defining moment for my love of music. I will be forever in debt to Mr. Yorn and while I don't think this is his greatest work, the first single, "Don't Wanna Cry", is one of the most beautiful songs of the year by far and touches me every time I hear it. Pete Yorn can do very little wrong in my eyes. If you haven't yet, check out "musicforthemorningafter" to be blown away by what Yorn can do when he sets his mind to it.

Best Tracks: Don't Wanna Cry

20 Devendra Banhart - What Will We Be

Although this is Banhart's seventh studio album, it is my first foray into his music after hearing good things about him for years. This is another artist I was a little scared to get into but my half-hearted attempt to listen to his single "Baby" when it became available on iTunes ended up being the first step to my newfound appreciation for all things Devendra. I continued to buy this album track by track until I realized that I had almost the complete package and stood back to take in what had happened: I'm a real fan now. I'm just sorry it took me so long to realize it. He's a nut but this is one of the best albums you're going to find all year, I promise. Of course it doesn't hurt that track two is named after me.

Best Tracks: Baby, Angelika

21 Silversun Pickups - Swoon

I don't know if you recall awhile ago when MTV was hawking this band like it was the next Beatles but that made me sick. I felt like they were everywhere all at once and I didn't understand why MTV, a channel that hasn't played music in 100 years chose this band over all the other deserving bands to promote in between every commercial break for their crappy shows. Now that is just a faded memory and the Silversun Pickups are back with Swoon, their second album that has really won me over in a short time. Lead vocalist Brian Aubert's soothing, albeit whiny voice is slightly reminiscent of a young Billy Corgan and their songs are a mixture of alternative '90's rock and modern indie stylings. I look forward to seeing what else they can do.

Best Tracks: Substitution, Panic Switch

22 Sondre Lerche - Heartbeat Radio

Let me try to keep this short: Sondre Lerche is in the league of M. Ward and Pete Yorn, that is artists that will always be perfect to me. Lerche's mix of worldly pop, stylish jazz, Elvis Costello rock, and a personal dash of wonderful, yet-to-be-defined Lercheness, make his work incomparable. While this particular album doesn't hold the key to the world for me, it is still ten times better than most of the mumble jumble on the radio today. Luckily Lerche is 150% dedicated to his craft and comes out with an album or two almost every year so I can't even begin to guess what he has cooked up next. Heartbeat Radio got very little recognition or promotion this year which could be why I see it as a little less glossy than his other recordings but I assure you, this is something you have to hear to understand. Sondre Lerche is a true troubadour of excellence.

Best Tracks: Don't Look Now, Heartbeat Radio

23 Will Dailey - Torrent, Vol. 1 & Vol. 2

Will Dailey. Wow. Everything about time spent with Will Dailey will surprise you. If you want to know about my time spent with Will Dailey, just click on the link that will lead you to all my posts about him but for now take these words and search for his music on iTunes: He is an artist in progress. I know a lot of music blogs out there are popular primarily because they hold the secret to finding artists before anyone else and bringing them to the masses at just the right moment. Of course this blog is nothing like that but I do believe I found Will Dailey at just the right time - I have never had the good fortune of seeing an artist grow right before my eyes the way I have with him and do believe I can honestly say he is getting better with every song and performance put out there. This is a guy that works his tail off to make good music and every inch of his sweat is visible for anyone that wants to come out and revel in it. He's a sweet, genuine guy that is making a name for himself the good, old fashioned way - no strings attached. I'm in awe of his motivated, ambitious nature and really hope he blows up the way he so desperately wants to. He's got charisma coming out of every pore and you'd be a fool not to get on board right away.

Best Tracks: How Can I Make You Happy, Tomorrow Still Comes, Never Be Your Baby

24 Regina Spektor - Far

This is Regina Spektor's fifth studio album and the first that I gave a chance. Maybe it was Spektor's overly cute ways or her overly sweet voice but I never particularly warmed to her style the way so many others around me were in the past few years. It took her performance this year on Saturday Night Live to change my mind. When I heard her sing "Eet" off this album I knew that I had to find out more. The lyrics, feeling, and piano drove me crazy. It was so beautiful and moving and I began to wonder if her other songs were anything like this. Turns out they were and once again, I had probably been missing out for quite some time. There is an otherworldy current in Regina Spektor's voice and this album showcases that perfectly.

Best Tracks: Eet, Laughing With

25 Various Artists - Dark Was the Night

Although it falls at number 25, the end of the list, this record is entirely -if not more so- deserving of your listen as any other. Compiled by Bryce and Aaron Dessner of The National as a charity project to get funding for AIDS research and awareness, they called on all their most talented friends to donate songs that when combined, filled two full albums and contained some of the artists' best works. Some of the greatest names in the business today, from Sharon Jones to Grizzly Bear, Arcade Fire and My Morning Jacket, can be found on here performing songs exculsively for this album. Of course the best song you'll find is my ringtone, "So Far Around the Bend", performed by the most generous, most amazing band on the planet: The National. This is a one of a kind treat for all music lovers.

Best Tracks: So Far Around the Bend

I am Obsessed With Monsters

I did something several days ago that I haven't done in 100 years: bought an actual compact disc from a music store! Well.. it wasn't exactly a "music" store (more like Best Buy) and it wasn't in the hard-to-open plastic case I remember from years past but it is definitely a CD with a nice cover and lyrics inside! I chose a good one too:

Monsters of Folk.

I gotta tell you, the more I hear this band, the more I love them. I started out not appreciating their single "Say Please", then listened to a 30 second clip of most songs on the album on iTunes, decided on three M. Ward-leading tunes to purchase and didn't think much about the rest of the album until I realized that I was listening to those three songs over and over again. I needed to hear more. I was really leery about going near anything that involved Conor Oberst too heavily, as I mentioned in a previous post about M.O.F., but I took my chances and came out loving EVERY single song on the entire record, including the Oberst tracks. There are really only two bands I recall despising in my life: R.E.M. and Bright Eyes (both of which I saw on the same day in concert for a charity event and only minorly acknowledged as 'okay') so to say I enjoy Conor Oberst on this record is a testament to the other members of the band that make him sound good and his own folksy sound that is not even close to being Bright Eyes-whiny on this collection of songs. Mr. Oberst actually sounds really good if I'm being honest here (he's almost 30, maybe he's finally out of his awkward period). "Temazcal" is a true standout.


Otherwise, I still have little opinion on Jim James and I still love M. Ward so much that I'm starting to mention him too often in my posts. M. WARD. M. WARD. M. WARD. His voice is so captivating I want to hand out fliers with his picture on them at airports like a crazy Hare Krishna. When his voice sinks into my headphones I am lost in the world he creates. I told my boyfriend the other day that I would not be as happy of a person without M. Ward which is kind of an oxymoron when you consider that most of his songs are rather melancholy and I discovered him through a young man I don't speak to anymore that I loved quite dearly. Oh well. Sadder things have happened, right? Maybe all that is a part of why I connect so well with his music. I am smitten with M. Ward. I can only imagine being in a small bar somewhere in the middle of nowhere listening to Mr. Ward sing his peaceful songs with just a guitar and a beer. That might be my version of heaven.

So I got off topic but there are other songs I love on this album: "The Right Place" is absolutely one that has gotten the most plays since my purchase. While it still doesn't top my ultimate favorite "Whole Lotta Losin", it is such a Nashville-twangy, cheerful, uptempo song that it always makes me feel good.

And then there's the first track "Dear God". The track that confused me when I ripped off the plastic in the parking lot and thought I was in for a country album and heard R&B beats right off the bat. This almost six minute long song is DELICIOUS. If you've read more than ten posts on this site you might know I'm not a fan of songs longer than four minutes - they are always drawn out, I don't care what people say about "Free Bird" or "Stairway to Heaven". I don't even like John Mayer songs that go on for too long (ironically my two favorite songs of all time are both near the 8 minute mark but those are literally the only exceptions of that atrocious length - they are true epic sagas - and "Music Sounds Better With You" - that's a good one). "Dear God" is tacked on to that list now. It is sexy, sad, and insightful all at once and in equal doses.

I don't write music and I don't get the feeling of wishing I wrote something very often but these four musicians that compose Monsters of Folk are masters at their craft and I'm practically jealous of their talent. Of course I'm more grateful than anything. This album is perfection and I'm nearly convinced that they're all geniuses.

LISTEN!


Favorite Tracks: Whole Lotta Losin, The Right Place, Dear God, The Sandman, The Brakeman, and Me, Baby Boomer, Temazcal, Say Please

I Still Owe You For the Ghost in the Hall

My favorite thing in the world has to be music that emphasizes an emotion. In grade school I was told that if you use the word "thing" in a sentence you have to explain what you're referring to - in this case I can't really describe it. There are a lot of flaws like this in my writing about music (others might be the constant gushing, the informal nature, etc.) but I hope the extraordinary sounds I'm touting shine through regardless. I only know how to give that to you through my own personal experiences. Chuck Klosterman-style I hope. (p.s. the picture above is Mr. Klosterman, my role model, himself in a t-shirt I own with a framed record behind him that I also have framed in my living room...)

Now, let me try to paint you a picture of today:

I'm walking around campus - a semi-young, semi-self conscious girl - nervously pulling at my skirt that's shorter than anyone else's I've seen and feeling pretty anxious about my last class. I walk down the long sidewalk adjacent to one of the main streets within the campus where cars drive by incessantly and as usual get the feeling that they're staring directly at me. This is my paranoia of course but I can't help but feel it on the back of my neck as I move towards the shuttle bus, my destination on this walk.


Magically, half way there, I get my iPod out, put in my headphones, and press the shuffle button on my favorite playlist aptly titled "Angelica" because the songs are so much a part of me, and morph into a different person. I hear the opening chords of Mayer Hawthorne's "Maybe So, Maybe No" (that I'm listening to again now) and get a strut, you know? I hear those notes and I don't exactly forget about the cars driving past me on the long road but I don't care about them anymore. Maybe I'm even walking for them, entertaining them and suddenly - if I have any thoughts about other people at all - it is simply: I wish they could hear this song!

In relation to my last post actually, I was thinking about the Principle of Non-Allness, one used in communication to describe how words that we use in daily life don't capture everything we mean. Based in semantics, it basically means that the map is not the territory. When you give someone directions over the phone, the process of physically getting there is much different than you just saying, "oh, you pass a Wawa on the left.."

It's the same with music. I had mentioned that my professor spoke of being incapable of discussing a particular feeling music gives him. In turn I questioned the point of discussing music at all and concluded that much of music talk revolves around a necessity among music lovers to share their feelings with others regardless of the exact message they're transmitting. Even Rolling Stone can't put their thoughts exactly into perfect words for their readers. Sure, a great review can do wonders for record sales but it's not going to shake someone's soul until they hear the record for themselves. The sounds will simply be stronger than the words. Hearing about a delicious restaurant is not the same as eating at it.


I'm stressing this because I want to explain to myself (and possibly you) why writing about music is so important. Not only is it necessary but it's the only way to SHARE the beautiful sounds and emotions. I can try to explain how M. Ward's voice makes me feel - and it would be a great accomplishment in the art of writing if I could - but the art of music is also being discussed so it's also important to hear his voice for yourself. There are two art forms working together and with massive respect to writing, both are equally important. One is informed by the other. I love this cycle. I love trying to explain why I love someone like M. Ward (which has multiple stories behind it) and I love knowing that it can best be understood by actually hearing him. There is some "thing" so powerful about that connection that I'll never fail to be amazed by it.

I hope I have the opportunity one day to continue the journey of exploring music with a larger group of ears. In the meantime, consider reading Rob Sheffield's poignant autobiographical music book, Love is a Mixtape to get a perfect example of music and writing coming together to form my favorite specialty art form. There is nothing else like it.

Autumn Mix 2009

2012 is fast approaching, tsunamis and other horrible acts of nature are upon us already, and yet the music just keeps getting better and better. I guess there's a higher power after all.

Here's my list, though possibly not officially complete, of top songs to fill a gorgeous autumn afternoon. It's a little eclectic but I think it works.

I chose songs I've been listening to often that evoke a quiet, rainy day sort of feeling that goes as well with crisp leaves as a pumpkin spice latte.

Sample most of the songs below and enjoy.

Monsters of Folk - The Sandman, The Brakeman, and Me
Grizzly Bear - Two Weeks
Electric Light Orchestra - Evil Woman
Cat Stevens - If You Want to Sing Out, Sing Out
M. Ward - Vincent O'Brien
Mayer Hawthorne - Just Ain't Gonna Work Out
Kanye West - Paranoid
James Morrison - Nothing Ever Hurt Like You
Cornelius Brothers and Sister Rose - Too Late to Turn Back Now
Snow Patrol - Hands Open
Pearl Jam - The Fixer
John Mayer - Who Says
Kid Cudi - Make Her Say
Robin Thicke - Lost Without U
Dean Martin - Sway
The National - Fashion Coat
Phoenix - If I Ever Feel Better
The Zombies - Time of the Season
Billy Bragg - A New England
Johnny Cash - Guess Things Happen that Way
Little Joy - The Next Time Around
Edwin Starr - 25 Miles

Monsters of Folk: A Review

I know every new band or song I mention is my "favorite" but right now I'm so impressed with Monsters of Folk, a supergroup collaboration between M. Ward, Jim James of My Morning Jacket, and Conor Oberst and Mike Mogis from Bright Eyes.

I had heard about this grouping for awhile now and indeed it has taken Monsters of Folk over three years (maybe even more) to put out a cohesive album together due to scheduling conflicts between all the members and the lack of a sturdy meeting place until Mogis laid down some roots in Omaha in the shape of a recording studio used to produce most of the tracks on their debut album that came out last week.

Not only do all of these songs have a little something special to them that the individual solo artist's collaborating on them don't always have on their own, there's the fact that these artists were so enthralled with their work that they refused to have any hired hands to play additional instruments on the recordings. Absolutely everything you hear on this record came from these four gentlemen - and that's an accomplishment in itself.

On the band's website, there's a biography-type section that discusses the aspect of "cameos" within the songs. They paid extra attention to making sure the songs didn't sound like a specific member being backed up by the others. While I was perusing this album on iTunes, I actually found myself being drawn first to the tracks that had M. Ward's voice in the 30 second samples because not only is he one of my favorite artists but I felt like those songs had more of the old fashioned "She & Him" style that I so appreciate from his work. Once I downloaded the songs and listened to them in their entiretly I found that the other members of the band - even Conor Oberst, who sounds at his best here and whom I typically detest - contributed so much to even this songs I had pinned as M. Ward penned. They really do a great job at a completely cohesive sound.

There is also this great Traveling Wilburys style to the entire record that makes it not only folksy but a little country and a tad vintage rock and roll. In my mind, I could picture these four performing a concert at a bar in Nashville much more than their upcoming stop at the Beacon Theatre. This is the kind of music that doesn't really need to be accessorized by much. It is sparse, hands in the mud kind of stuff that doesn't get old - it just gets better with time.

So far my favorite track is "Whole Lotta Losin'", one of the first I downloaded out of the 16 tracks that flesh out the complete package. This song is so catchy and down home. I don't know how else to express it. There's certain parts where you could swear Tom Petty was singing in the background. This is no doubt intentional - there's certainly a lot of inspiration coming from people like The Band and Neil Young on all of these songs but unlike some other artists, Monsters of Folk does this old/new thing perfectly, contributing something completely fresh and unique to the genre.

"Baby Boomer" and "The Sandman, The Brakeman, and Me" are also really growing on me. They just give a feeling of catchy, fun jams being sung among friends in a little room.

This album makes me want to give Bright Eyes and My Morning Jacket another try. Hmm. Maybe just the latter.

For more information and samples make sure to check out MonstersOfFolk.Com.

Summer Playlist 2009

This is probably not the 'ultimate' list for the entire summer as there's still a perfectly good August to go through but this is the start of a great, complete, playlist. Generally these songs are unforgettable personal favorites with a few new sassy ones mixed in but of course all meet the standards of a sexy, fun, breezy summer song. I think it'd make a fun mixtape.

Enjoy.








01. Will Dailey - How Can I Make You Happy
02. Michael Jackson - You Rock My World
03. Sly & the Family Stone - Hot Fun in the Summertime
04. Kings of Leon - Use Somebody
05. Gin Blossoms - Hey Jealousy
06. Mason Jennings - I Love You and Buddha Too
07. MGMT - Electric Feel
08. Sade - The Sweetest Taboo
09. Pete Yorn - Don't Wanna Cry
10. The Monks - Oh, How to Do Now
11. Yeah Yeah Yeahs - Zero
12. Phoenix - 1901
13. Passion Pit - Sleepyhead
14. Paul McCartney - Maybe I'm Amazed
15. The Cars - Just What I Needed
16. Pharrell - Frontin'
17. The Doobie Brothers - Listen to the Music
18. K.D. Lang - Summerfling
19. M. Ward - Never Had Nobody Like You
20. Bob Marley - Is This Love

January Playlist

Bruce Springsteen - The Wrestler
David Bowie - Sound and Vision
Lou Reed - Vicious
Franz Ferdinand - Ulysses
Andrew Bird - Tenuousness
Kraak & Smaak - Squeeze Me
Lee Michaels - Do You Know What I Mean
The Smiths - Hand in Glove
Steppenwolf - Sookie Sookie
Todd Rundgren - I Saw the Light
The Black Crowes - Twice as Hard
Flake Music - Deluca
Jens Lekman - Pretty Shoes
Gram Parsons - Never Ending Song of Love
M. Ward - Never Had Nobody Like You

She & Him - July 27, 2008

Last night at the She & Him concert I learned that music sounds a lot better if you're dating the person you're on stage with and if you've been playing 1960's girl group music to get the audience jazzed up - with a little "Gypsy" from Fleetwood Mac mixed in (which I took as them being ironic).

Zooey Deschanel is gorgeous and these pictures don't do her justice - but the truly gorgeous thing was the way she looked at M. Ward throughout the night. During their cover of "You Really Got a Hold on Me", it was just the two of them with separate microphones from across the stage and every time there was a pretty lyric she would turn her entire body to look directly at him and he would grin. It was adorable to put it mildly. Or to put it bluntly, it looked like they were going to rip each other's clothes off every second. It was pretty steamy - very cool! The crowd was going wild with all that love.

M. Ward's voice is awesome but he didn't do any singing until the encore so he was mostly just another part of the band (except for some surprisingly good guitar solos). The crowd was primarily full of hipster girls that would "woo" anytime he put his lips to the microphone and "aww" anytime Zooey did anything remotely cute (which was almost always). They were definitely interactive. She kept saying she was overwhelmed with how many people showed up and how happy it made her. It was nice to see how happy M. Ward and Zooey seem together when separately they come across as slightly depressed.

They sang every song off their album, "Volume One", a Joni Mitchell cover, and Ward's "Magic Trick" as an encore (switching the lyrics to "I" instead of "she" for some reason). Overall, the entire set list was enjoyable and the experience was well worth it. Although I'll never understand why such talented, inspired musicians continuously choose ridiculous opening acts. The Rosebuds, a band based out of North Carolina, played what sounded like the same song for 40 minutes. Please don't ever listen to them.

One more thing: M. Ward and Zooey are definitely pretty to look at but their backing band was so cool! There was a very pregnant girl on the bass, a much older man with white hair on guitar, and an extremely handsome drummer wearing a white button down shirt, black vest, and a tie. He looked like a thinner version of Clive Owen but with a receding hairline. It felt like one big, happy, eccentric family.